The Visual Arts program brings in a diverse variety of visiting artists for campus talks and public gallery presentations that includes visual artists, filmmakers, sculptors, painters, playwrights, essayists, interactive and digital media artists.
All artists talks are free and open to all.
The Visiting Artist Series will be held in-person on Mondays at 2pm in the University Theatre (ADM 026) as part of the CCS 150 Creative and Critical Art Theory class. These talks are open to the public. See below for details on each artist.
Horizontal Vertigo, video projection, 2021
Monday, September 16 | Jordan Hill
2:00 pm, University Theatre (ADM 026)
Jordan Hill is a Coast Salish (T’Sou-ke Nation) new media artist from Vancouver Island whose work alludes to the blurred line between fact and fiction within contemporary culture. Hill questions how we navigate a spatially manipulated world where truth is incredibly difficult to locate both physically and virtually.
He juxtaposes unexpected ideas and seemingly unrelated locales, uncovering the intersections between urban and rural facades in ways that transform how we think about both. Hill’s work utilizes our relationship with technology and virtual imagery in a way that helps us foster a deeper connection with the world away from it.
Monday, December 2 | Daniel Barrow
2:00 pm, University Theatre (ADM 026)
Daniel Barrow uses simple (often antiquated) technologies to present pictorial narratives by merging the methods of cinema, comics, animation, and magic lantern shows. They are best known for adapting comic book narratives to “manual” forms of animation by manipulating drawings on an overhead projector.
They have presented their projection performances at international venues including: The Walker Art Center (Minneapolis) The Museum of Contemporary Art (Los Angeles), PS1 (NYC), The Portland Institute for Contemporary Art’s TBA festival, and the British Film Institute. They are the winner of the 2010 Sobey Art Award and the 2013 Glenfiddich Artist in Residence Prize.
Briar Craig is a Professor in the Department of Creative Studies at UBCO. Briar Craig’s studio practice and art making interests focus almost exclusively in the area of screenprinting.
Puppets Forsaken is a sculpture/sound collaboration between Natali Leduc and David Gifford formed in 2019. Originally inspired by the intonarumori of Futurist Luigi Russolo, author of the manifesto“Art of Noises”(1913), they construct acoustic noise generators, and perform for old growth trees that are no longer there, theory symposiums, live radio and noise shows.They sold two copies of their first album, Greatest Hits. They also entered a telekinesis competition, which they lost.
Judith K. Schwarz is a practicing artist and art educator, nationally recognized for her sculpture and public artwork. Over a 30-year career she has developed projects through Artist Residencies including the Paris Studio, France, Open Studio Print Shop, Toronto, the McIntyre Ranch in Southern Alberta, Artscape in Sydney Australia and recently, the Leighton Artist Studios at the Banff Centre for the Arts.
Miles Thorogood (Assistant Professor, Department of Creative Studies, UBCO) is sound artist and audio engineer at the University of British Columbia. He is the Principal Researcher at the SPIRAL Lab conducting research in the practice and theory of performance and sound arts.
Erin Scott (she/they) is a time-based, interdisciplinary artist who lives on the unceded territory of the Syilx/Okanagan Peoples (Kelowna, BC). Erin is a founding member of Inspired Word Café, a literary and performing arts non-profit.
Katherine Pickering is based in Kelowna, British Columbia, on Okanagan-Syilx territory, where she is a Lecturer in painting and drawing in the Faculty of Creative and Critical Studies. Pickering’s artistic practice investigates the language of abstract painting through assemblages and other sculptural gestures. Pickering received a Bachelor of Fine Arts in Visual Arts from the University of British Columbia, Okanagan campus in 2006 and a Master in Fine Arts in Studio Art from Concordia University, Montréal, QC in 2009.
Samuel Roy-Bois was born and raised in Quebec City. He earned a Bachelor of Fine Arts degree from Laval University in 1996 and an MFA from Concordia University in 2000. In 2013, he joined the University of British Columbia, Okanagan, where he currently serves as an Associate Professor of Sculpture in the Faculty of Creative and Critical Studies. Roy-Bois’ artistic practice encompasses installation, sculpture, and photography, focusing on the built environment, vernacular practices, and art as an emergent phenomenon.
Tania Willard, Secwepemc Nation and settler heritage, is an artist, curator and assistant professor in visual arts at UBC Okanagan, Syilx territories. Her work as a curator and artist has been shown nationally with curated exhibitions of note, at Vancouver Art Gallery, Beat Nation: Art Hip Hop and Aboriginal Culture (2012-2014), at the Museum of Anthropology UBC, Unceded Territories: Lawrence Paul Yuxweluptun and Landmarks 2017 in National Parks across Turtle Island.
Michaela Bridgemohan is an interdisciplinary artist of Jamaican and Australian descent who spent her formative years in Mohkinstsis, also known as Calgary, and now gratefully resides on Syilx territory, Kelowna, B.C. She holds an MFA in Visual Arts from the University of British Columbia—Okanagan and received her BFA in Drawing (with Distinction) from the Alberta University of the Arts in 2017.
Mat Glenn is an emerging artist from Kelowna BC, specializing in sculpture, installation, printmaking and digital media.
Lucas Glenn is an emerging artist working in installation, digital media, and drawing. Glenn’s work proposes alternative models for human-nonhuman kinship, speculating in the context of climate collapse.
Shawn Serfas is an Associate Professor of Visual Art and Head of the Creative Studies Department, Faculty of Creative and Critical Studies. His research interests include contemporary painting concerning relational abstraction, environmental aesthetics, religion, the landscape, as well as issues bordering abstraction and representation.
Dick Averns is an internationally exhibited sculptor and award-winning artist, Dick Averns has established a vibrant, socially engaged art practice. The content of his mulyi-disciplinary oeuvre recalibrates the commodification of space: probing how mental and physical spaces are valued, bought, sold, exchanged, and contested. Since being deployed as an official war artist with Canadian troops in the Middle East, Averns’ work has toured nationally and been featured in numerous publications. In addition to exhibiting at museums and galleries, he also maintains an active presence through public art.
Donald Lawrence uses combinations of photography, sculpture, drawing, and installation to explore the meeting place of urban and wilderness culture. Several on-water projects, such as the Underwater Pinhole Photography Project (since 1997), Kepler’s Klepper (2011), and the Coastal Cameras Obscura (since 2014), connect Lawrence’s interests in sea kayaking and the ocean environment to a long-standing fascination with early and prephotographic optical apparatuses.
Wanda Lock’s practice is based in painting and expands into drawing, collage, and installation. Her works often plays with themes of domesticity, nostalgia, and banality. She also has a curatorial practice and has been working as the curator of the Lake Country Art Gallery since 2015.
Austin Clay Willis’s works are inspired by temporary construction, DIY structures, childish forts, East Vancouver alleyways littered with broken cabinets and forgotten bed frames, industrial dumpsters filled with debris from construction sites, and the sorting bins at city recycling dumps. The installation deals with ideas of industrial and personal waste through the collection, recycling, and upcycling of common industrial material. The incorporation of these concepts becomes a source for reimagining and recontextualizing derelict and deteriorating debris. By referencing the processes of building and (inevitably of decaying), the use of found, reclaimed, and recycled material gives opportunity for new life to perhaps forgotten objects.
Hanss Lujan Torres’ research and curatorial practice consider subjugated archives, queer temporalities, and alternative futures in contemporary art. Hanss is the research coordinator for the Indigenous Futures Research Centre. In addition, he has worked with several arts organizations in British Columbia, including Oxygen Art Centre, the Lake Country Art Gallery, Two Rivers Gallery, the Alternator Centre for Contemporary Art, and the Kelowna Art Gallery.
Terrance Houle (Niitsitapi/ Saulteaux) is an internationally recognized interdisciplinary media artist and a member of the Kainai Nation/ Blood Tribe. Involved with Aboriginal communities all his life, he has travelled to reservations throughout North America participating in Powwow dancing along with his native ceremonies.
Artists David & Jorden Doody hosted a walking tour of the Uptown Mural Project. The Uptown Mural Project is an inclusive and educative urban art initiative held in Rutland BC that is supported by the Uptown Rutland Business Association.
JJ Levine is an image-based artist living in Tiohti:áke/Montreal, known for his compelling body of work in portraiture. Represented by ELLEPHANT (Montreal), Levine’s artwork has been exhibited at museums and galleries internationally. A major retrospective of his work, JJ Levine: Queer Photographs, was recently on view at the McCord Museum (Montreal).
Lindsay Kirker’s paintings take their cue from the rapid expansion of the urban landscape; surveying a curiosity and fascination with the built environment and a concern for the nature that surrounds us. By utilizing the tools of perspective Kirker reflects on our relationship with nature.
Julian Yi-Zhong Hou (b. 1980) is a multidisciplinary artist that currently resides in Vernon, on the unceded land of the Syilx peoples of the Okanagan Nation. His work centres around contemporary mystical themes including consciousness, divination, and symbology.
Hannah Rickards’ interdisciplinary practice explores the non-linear dynamic between site, gesture, staging and recording, integrating the language of performance, film, drawing and installation. Rickards has held solo exhibitions at The Polygon Gallery, Modern Art Oxford, the Fogo Island Gallery, Artspeak, The Whitechapel Gallery and The Showroom Gallery, London.
Christine Howard Sandoval is an interdisciplinary artist who lives and works in the unceded territories of the Squamish, Tsleil-Waututh, and Musqueam First Nations and is an Assistant Professor of Interdisciplinary Praxis in the Audain Faculty of Art at Emily Carr University (Vancouver, BC).
Amy Fung, Divya Mehra, Kim Ngugen, Asian Brain Trust was founded in 2014 by Amy Fung (Scorpio), Divya Mehra (Scorpio), and Kim Nguyen (Cancer) as an arts research collective. Together they have lectured and presented in international conferences on the topics of race, power, violence, and performance in contemporary visual arts.
RYAN! Elizabeth Feddersen specializes in creating interactive murals, site-specific installations, and immersive public artworks that invite audience engagement.
Ericka Walker’s print works and site-specific murals subvert the propagandistic function of nostalgia in contemporary culture, disputing the civilizing influence and assumed moral authority of nation building in North America.
Diane Borsato (BFA York University, MFA Concordia University, MA Performance Studies, Tisch School of the Arts, New York University) was awarded the Victor Martyn-Lynch Staunton Award from the Canada Council for the Arts, and was twice nominated for the Sobey Art Award.
Lisa Myers (Beausoleil First Nation, born in Oakville, ON, Canada; lives in Port Severn and Toronto, ON, Canada) is an independent curator and artist with a keen interest in interdisciplinary collaboration.
Natalie Ball, “I make art as proposals of refusal to complicate an easily affirmed and consumed narrative and identity without absolutes.”
Nicholas Galanin, who’s work offers perspective rooted in connection to land and an intentionally broad engagement with contemporary culture.
Hellen Reed and Hannah Jickling, who’s collaborative projects take shape as public installations, social situations, and events that circulate as photographs, videos, printed matter, and artists’ multiples.
Krista Belle Stewart, who works with video, land, performance, photography, textiles, and sound, drawing out personal and political narratives inherent in archival materials while questioning their articulation in institutional histories.
Derya Akay, who approaches everyday objects, materials and experiences as rich sites of knowledge and meaning.
Brenda Draney, who’s work visually represents the moment when vulnerability is exposed, while encouraging the viewer to reject the notion to dominate the void where horror, poignancy, or powerful moments exist.
Cedric Bomford’s work often focuses on the power dynamics established by constructed spaces and takes the form of large-scale rambling ad hoc architectural installations.
Tsema Igharas is an interdisciplinary artist and a member of the Tahltan First Nation. She uses Potlatch methodology to create conceptual artwork and teachings influenced by her mentorship in Northwest Coast Formline Design at K’saan (2005/06), her studies in visual culture and time in the mountains.
Mia Feuer is an interdisciplinary sculptor born in Winnipeg, Manitoba. She received her MFA from the Department of Sculpture + Extended Media at Virginia Commonwealth University.
Ian Johnston’s current work Fine Line has switched attention from consumer culture to the obsessive-compulsive behavior that appear to epitomize it.
Patrik Andersson, Associate Professor in Critical + Cultural Studies. He teaches contemporary art and ideas which are informed by his freelance activities as an art critic and curator with interests ranging from conceptual art to design disciplines.
Colleen Heslin, explores medium crossovers between painting, sculpture, fibers and photography.
Liz Magor, one of Canada’s most important contemporary sculptors.
Myfanwy MacLeod, who’s work is trademarked by her wry sense of humour, and her layered referencing of consumer and popular culture..
Maikoiyo Alley-Barnes, artist, filmmaker, writer, and designer who explores the resonance of genetic cultural memory through the mystical and the mundane.
Carol Sawyer, a visual artist and singer who works with photography, installation, video, performance, and improvised music.
Brian Jungen, a significant Canadian sculptor and multidisciplinary artist who simultaneously explore traditional and contemporary approaches to art making.
Christian Nicolay, his diverse body of work employs a wide range of media and techniques including drawing, painting, sculpture, video, sound, performance and installation.
Paul Wong, a media-maestro making art for site-specific spaces and screens of all sizes.
James Nizam, who’s art practice investigates photography within an expanded field of operations that consider the relationship between performance, sculpture, and architecture.
Jennifer Stillwell who primarily works with sculpture and installation.
David Kang, who’s work plays with languages – visual, written, and spoken to seek out moments of miscegenation and mistranslation
Althea Thauberger, who’s film/video and performance projects often invoke provocative reflections of social, political, institutional, and aesthetic power relations.
Adam Kuby, who’s work engages the built and natural worlds to foster a sense of connectedness in our increasingly fractured environments.
Raymond Boisjoly works with photographic and video images, text and objects.
Elizabeth McIntosh’s work reveals itself through the multiplicity of visual interpretations and understandings, shying away from aesthetic resolution.
Sarah Burwash, who works in narrative drawing, watercolor, and illustrational drawing, she is also active in video, animation, ‘zines and artist book works.
Damian Moppett, multi-media artist using photography, sculpture, drawing, video and painting.